Siti amici - raccomandandoli e usandoli contribuisci a mantenere Impossibile Da Dimenticare:
Crea CD autoavvianti, menù, DVD... Sensore temperatura WiFi MQTT... Crea sito Web... Programma cataloghi prodotti Web CD... ControlHUB programmatore visuale domotica automazione MQTT WiFi GSM... Giochi gratis... Zio Paperone Finanza... Orologi luminosi anche giganti, radiocontrollati, temperatura... Good Software... Programmi gratis... Sensore remoto umidità terreno, WiFi, anche solare... Recensioni libri... Immagini gratis... VisionHost, hosting, spazio Web... Apri cancello garage WiFi Smartphone... Recensioni film... Sensore temperatura HTTP MQTT... Usa la chitarra... Strumenti musicali...
Crea CD autoavvianti, menù, DVD... Sensore temperatura WiFi MQTT... Crea sito Web... Programma cataloghi prodotti Web CD... ControlHUB programmatore visuale domotica automazione MQTT WiFi GSM... Giochi gratis... Zio Paperone Finanza... Orologi luminosi anche giganti, radiocontrollati, temperatura... Good Software... Programmi gratis... Sensore remoto umidità terreno, WiFi, anche solare... Recensioni libri... Immagini gratis... VisionHost, hosting, spazio Web... Apri cancello garage WiFi Smartphone... Recensioni film... Sensore temperatura HTTP MQTT... Usa la chitarra... Strumenti musicali...
Scarica MP3, Karaoke Viv woman...
Trova midi MID, video di Viv woman Vai Steve, scarica mp3 torrent di Viv woman Vai Steve, video YouTube di Vai Steve Viv woman
Vai Steve... Altri accordi di Vai Steve...
After the overwhelming response (uhmmm, just 4 but that's enough!), here is
what I figured out of Viv Woman, out of the Steve Vai Flex-able. I tried what I
could, but not having a W/B I'm afraid I could not get it all correctly
(especially the solo). Any feedback (suggestions, errors, appreciation, flames)
is highly welcome!
C. Tirabassi
or ctirabas(at)estec.bitnet
Some notes for the technically oriented:
On the intro I think Steve plays bended F# and not G# as I show.
I also suspect he is bending (ouch) the G# to the B at the intro end, instead
of my suggested A# to B bend. They both sound good, so pick your choice.
On the solo I show with the * notes which are repeatedly bended and
pinched. I'm afraid a correct transcription is impossible here, so just listen
to the CD.
I did not figure out the trumpets parts, but they should be easy enough.
I'm planning soon to put together a drum/bass/trumpets base
on my sequencer, so I will have to work them out as well. Drop me a note
in a couple of weeks to check if I were not lazy enough to don't it..
I play the guitar thru my Boss SE-70, pre-eq to cut a bit bass and middle and
boost high, overdrive with low gain, eq. to boost even more the distorted high,
stack simulator, room reverb with a bit of delay L/R to give some spaciousness.
...Continua:
Trova midi MID, video di Viv woman Vai Steve, scarica mp3 torrent di Viv woman Vai Steve, video YouTube di Vai Steve Viv woman
Vai Steve... Altri accordi di Vai Steve...
After the overwhelming response (uhmmm, just 4 but that's enough!), here is
what I figured out of Viv Woman, out of the Steve Vai Flex-able. I tried what I
could, but not having a W/B I'm afraid I could not get it all correctly
(especially the solo). Any feedback (suggestions, errors, appreciation, flames)
is highly welcome!
C. Tirabassi
or ctirabas(at)estec.bitnet
Some notes for the technically oriented:
On the intro I think Steve plays bended F# and not G# as I show.
I also suspect he is bending (ouch) the G# to the B at the intro end, instead
of my suggested A# to B bend. They both sound good, so pick your choice.
On the solo I show with the * notes which are repeatedly bended and
pinched. I'm afraid a correct transcription is impossible here, so just listen
to the CD.
I did not figure out the trumpets parts, but they should be easy enough.
I'm planning soon to put together a drum/bass/trumpets base
on my sequencer, so I will have to work them out as well. Drop me a note
in a couple of weeks to check if I were not lazy enough to don't it..
I play the guitar thru my Boss SE-70, pre-eq to cut a bit bass and middle and
boost high, overdrive with low gain, eq. to boost even more the distorted high,
stack simulator, room reverb with a bit of delay L/R to give some spaciousness.
...Continua: