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Soda Stereo... Altri accordi di Soda Stereo...
Primavera 0
By Soda Stereo
Transcription by Enrique Zamudio (zamudioe(at)risc.uia.mx)
This is from Soda Stereo's "Dynamo" album. I hope you enjoy it.
The whole song has a heavy distortion. On some parts (the chorus and the
one we might call solo) there are two guitars, both with the same effects.
Intro
* See note below
!--6-6-6-6-6-6-6-6-5-5-5-5-5-5-5-5-10-10-10-10-10-10-10-10-9-9-9-9-9-9-9-9--!
!--6-6-6-6-6-6-6-6-5-5-5-5-5-5-5-5--8--8--8--8--8--8--8--8-7-7-7-7-7-7-7-7--!
!--8-8-8-8-8-8-8-8-7-7-7-7-7-7-7-7-5-5-5-5-5-5-5-5--5-5-5-5-5-5-5-5--!
!--8-8-8-8-8-8-8-8-7-7-7-7-7-7-7-7-5-5-5-5-5-5-5-5--5-5-5-5-5-5-5-5--!
!--6-6-6-6-6-6-6-6-5-5-5-5-5-5-5-5-3-3-3-3-3-3-3-3--3-3-3-3-3-3-3-3--!
!--5-5-5-5-5-5-5-5--5-5-5-5-5-5-5-5--!
!--5-5-5-5-5-5-5-5--5-5-5-5-5-5-5-5--!
!--3-3-3-3-3-3-3-3--3-3-3-3-3-3-3-3--!
On the part marked with *, a second guitar comes in with a feedback
that gives a high F. When the rhythm is changing from E to D#, the
feedback pulls up to G and goes back to F. It pull up again on the
second C going to G.
(The voice comes in along with the drums and the bass, no guitar until *)
That's it. I hope someone will use this... ...Continua:
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Soda Stereo... Altri accordi di Soda Stereo...
Primavera 0
By Soda Stereo
Transcription by Enrique Zamudio (zamudioe(at)risc.uia.mx)
This is from Soda Stereo's "Dynamo" album. I hope you enjoy it.
The whole song has a heavy distortion. On some parts (the chorus and the
one we might call solo) there are two guitars, both with the same effects.
Intro
* See note below
!--6-6-6-6-6-6-6-6-5-5-5-5-5-5-5-5-10-10-10-10-10-10-10-10-9-9-9-9-9-9-9-9--!
!--6-6-6-6-6-6-6-6-5-5-5-5-5-5-5-5--8--8--8--8--8--8--8--8-7-7-7-7-7-7-7-7--!
!--8-8-8-8-8-8-8-8-7-7-7-7-7-7-7-7-5-5-5-5-5-5-5-5--5-5-5-5-5-5-5-5--!
!--8-8-8-8-8-8-8-8-7-7-7-7-7-7-7-7-5-5-5-5-5-5-5-5--5-5-5-5-5-5-5-5--!
!--6-6-6-6-6-6-6-6-5-5-5-5-5-5-5-5-3-3-3-3-3-3-3-3--3-3-3-3-3-3-3-3--!
!--5-5-5-5-5-5-5-5--5-5-5-5-5-5-5-5--!
!--5-5-5-5-5-5-5-5--5-5-5-5-5-5-5-5--!
!--3-3-3-3-3-3-3-3--3-3-3-3-3-3-3-3--!
On the part marked with *, a second guitar comes in with a feedback
that gives a high F. When the rhythm is changing from E to D#, the
feedback pulls up to G and goes back to F. It pull up again on the
second C going to G.
(The voice comes in along with the drums and the bass, no guitar until *)
That's it. I hope someone will use this... ...Continua: